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Gabriel
Cloutier Tremblay

interpretationvoice

Gabriel
Cloutier Tremblay

interpretationvoice

Trained at the Conservatoire d’art dramatique de Québec, Gabriel made a strong impression right after graduating in L’Orangeraie by Larry Tremblay, directed by Claude Poissant (Denise-Pelletier / Trident, 2016). Since then, he has developed a hybrid practice at the intersection of theater, dance, and creation, nurtured by notable collaborations. He was recently recognized in Corps fantômes, directed by Maxime Carbonneau (Duceppe / La Messe Basse, 2025).

He collaborates with inspiring creators such as Alexandre Fecteau, Sébastien David, and Olivier Arteau, and is fully involved in productions like N’essuie jamais de larmes sans gants (Trident / Duceppe, 2023), La Machine de Turing (Rideau Vert, 2024), Les Murailles (La Messe Basse, La Licorne, Périscope, 2019–2021), as well as in the creations Doggy dans gravel and Made in Beautiful (Premier Acte, Fred-Barry, CTD’A, 2015–2020). He has also played leading roles in Cabaret (Trident, 2022), Romeo and Juliet (Trident, 2021), and Le miel est plus doux que le sang (Théâtre Périscope, 2019).

In parallel, he performs as a dancer in Le Mythe d’Orphée by Alan Lake and Frédérique Bradet (Trident, 2024) and L’Éveil by Marie-Josée Bastien and Harold Rhéaume (2016–2017).

On screen, he is part of the cast of the series C’est comme ça que je t’aime by François Létourneau and the feature film Ailleurs by Samuel Matteau, in addition to appearances in several television series.

As a creator, Gabriel founded the company KILL TA PEUR, where he explores directing, scenography, and writing with creations such as La fille qui s’promène avec une hache (Premier Acte, 2018) and Amour Amour (Premier Acte, 2019). As a guest creator, he directed and designed the scenography for Disgrâce (Premier Acte, 2022) by Nadia Girard Eddahia and The Quarterlife Crisis – Turning Your Ruins into Eyeshadow (Périscope, 2025) by Catherine Côté, which earned him the Prix Paul-Bussière / Prix Théâtres (Scenography), along with nominations for the AQCT Critics’ Prize (Best Production) and the Prix Robert Lepage / Prix Théâtres (Direction).

Staging

Theater

Writing

Television

Cinema

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