Marie-Ève Milot is an actress, director, playwright, and theatre editor. As a performer, she has taken part in more than twenty stage productions, including Les Barbelés by Annick Lefebvre, Les filles du Saint-Laurent by Rébecca Déraspe (in collaboration with Annick Lefebvre), and Pétrole by François Archambault. She has also played around ten roles in various television series, notably Les Pays d’en haut, 5e Rang, and will soon appear in Bienvenue à Kinston-Falls, written and directed by Robin Aubert.

Co-artistic director of Théâtre de l’Affamée alongside Marie-Claude St-Laurent, she has co-written several plays, including Débranchée/Unplugged (finalist for the Louise-LaHaye Prize in 2017), Sappho, Chienne(s), Clandestines, and Guérilla de l’ordinaire (finalists for the Michel-Tremblay Prize in 2023 and 2019). She has directed her company’s last four productions, as well as Sissi (La Licorne, 2019) and Mama (Duceppe, 2022), both by Nathalie Doummar; Chokola by Phara Thibault (La Licorne, 2023); Docteure by Robert Icke (Duceppe, 2023); Faire la mort by Krystel Descary (Espace Go, 2024); Helgi by Tyrfingur Tyrfinsson (Quat’Sous, 2025); Hommage à Daniel Bélanger (Cirque du Soleil, 2025); Rue Duplessis, ma petite noirceur by Jean-Philippe Pleau (Duceppe, 2025); and Rhinocéros by Ionesco (Denise-Pelletier, 2025). Next summer, she will direct Hommage à Jean Leloup for Cirque du Soleil at the Amphithéâtre Cogeco in Trois-Rivières.

Since 2019, she has served, alongside Marie-Claude Garneau and Marie-Claude St-Laurent, as literary director of La Nef, the feminist theatre collection published by Éditions du remue-ménage. A member of the steering committee of the first feminist initiative at Espace Go, she collaborated on a study conducted by researchers from the Réseau québécois en études féminines (RéQEF) on the place of women in theatre and contributed to the creation of the Jovette-Marchessault Prize, which recognizes the contribution of women artists in theatre.